Category: Writing

Names

How much do you think about names? Still working on a compromise with my husband about the baby’s name, but the subject comes up often for me when I choose characters.

One thing that holds me back is I don’t want characters with the same name as my child, so I reserve names in hope that I might use them for the baby until I realize I’ll never talk my husband into it.

When the subject comes up with other writers, I learn how they look at characters differently than I do. Something in my head has to match the character’s personality with my feelings about the name. (Though this doesn’t always mean I hate the names I give characters I don’t like!) Some use random name generators to get what they need, while others can’t even begin the story until they find the name that fits the character in their heads.

I find myself in the middle. While I work for names early on, most of them come intuitively as the character emerges, and others get changed later if I find they don’t fit at a later time in the writing. Rarely I have unnamed characters in a flash fiction bit – but flash fiction is in a category of its own and sometimes names aren’t needed.

More about flash fiction later.

Have you ever thought about names so much? Sometimes I wonder if it’s just me, or the writer I am, or something that can be shared with others at all.

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Radioland Murders

Yes, the movie. My husband watches it while I’m writing. It isn’t one of my favorites, which makes it easier to focus on other things.

I’d forgotten how amusing the beginning was, with the script that wasn’t finished for the radio production that’s ongoing. They don’t really do scripts that way – they always have it written in advance. I’m sure there have been a fair share of winging it.

I wasn’t one for improv during speech or music classes, but it seems one of those things that get easier with time and familiarity. The first few times I taught yoga I had everything planned far in advance, but after a couple years I didn’t even need the paper in front of me, though I preferred that to announcing poses off the cuff.

Every movie must have some redeeming qualities. Quote: “Back to the word-factory.”

Do you think non-writers like to see the glimpses of the writing life they see in movies, tv, and books? Do they prefer our depictions of other professions? I suppose we all write what we know, so some writers write about writing. I find I like to write about artists, though i don’t do much art (in the sense of drawing or painting or the like) anymore. I ought to write more engineers – but I just haven’t found the right spot to put them yet.

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The Use of I

I chatted with a friend the other day about using the word “I” as a tool to get a point across. She gave up using the first person perspective in her poetry because all the people she critiqued it with- including college professors- thought that meant it was a true story from her perspective.

I was a little amazed at that. In stories or poetry I tend to use the first-person as a different way to tell the story, rather than a truthful telling, but it really made me think about the run-of-the-mill authors who use it in that way and things I’ve heard about first-person.

If 90% of amateurs use first-person perspective, are they writing what they know and doing a somewhat truthful account of something? That really lowers my value of some of those amateur fiction accounts. I think when the first-person is done well it can really sell a story (even literally!) but it isn’t often handled with the necessary care. I’m betting that’s why most of the fiction we see published is in 3rd person limited viewpoint (about 90%).

I am a storyteller. Just because I write something, doesn’t mean it exists anywhere but my mind. If you believe it’s real, so much the better for my ability to weave a tale. Never confuse the written words with the author behind them – the best ones will always make you wonder.

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Tools of the (Science Fiction) Writing Trade

Okay, I suppose it could be used for fantasy, too. Tolkien was revered as world-builder, even to the point of making real languages for his fictional characters. He did it before we had such tools as the internet to find helpful resources, or computers to type things on, or so many advantages today’s writers (and the fan world) take for granted.

Other examples of created languages include Star Wars and Star Trek, of course. It’s different to hear them on TV and expect them, but people really do create them for stories and books for a more realistic feel.

The Language Construction Kit

It’s organized as an outline, so you can get as crazy or detailed as you like. You can use it to provide a background, a more realistic form of naming strange characters, or just another way to annoy your English teacher during class. (Last example is not recommended!)

Linguistics is not my particular strong point, so a couple of the questions are lost on me. (Is your language inflecting, agglutinating, or isolating?)  For the most part it is very straightforward and inviting. I find it difficult not to dive right in and try it out!

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Power of Description

When reading, sometimes I take in the amount of description and say, “wow, i’m there.” Other times I feel like “where’s the story?”

Description is a difficult part to get right. Some people want to know every single detail, but a lot of us want the story to move forward. The question is, how much is enough and how much is too much? I find myself struggling with that time and again.

Science fiction and fantasy need a different amount of description than some other genres (say, chick lit). When I build a world from scratch, you’re probably going to want to know whether my critter has blue fur or brown scales or even different facial features. That doesn’t mean I need to spend time talking about my fantasy (human) protagonist’s long, dark, wavy hair every few paragraphs.

A lot of times if a detail isn’t used to further my story, I leave it out. I know I need more description in some of the my work, but it isn’t hurt me to get the story out first, then figure out the details that need to be woven inside.

The trick is balance, I think. Then always checking the story after the changes to be sure it still has the plot somewhere and not hidden by all the descriptions. Writers simply can’t describe their world for ten pages and expect the audience to hang out waiting for action. Then again, if we throw them the details in chapter 22 about the critter they’ve been traveling with for the entire book, it’s too late.

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Book Review: Hooked

Write Fiction That Grabs Readers at Page One & Never Lets Them Go Hooked: Write Fiction That Grabs Readers at Page One & Never Lets Them Go by Les Edgerton

My review


rating: 5 of 5 stars
This book has a conversational style that keeps you turning pages. I also found it to be thought-provoking about current projects I’m writing. It’s helpful to think about the beginning, but the author also makes a good point that most books about writing don’t include how to look at a project as a whole. I’d recommend this to any would-be writer.

View all my reviews.

All right- it took me a while to finish it. Part of it was that I had to think while I was reading it. I ought to devote more time to reading.

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What Not to Write

In trying to find that perfect idea, there are often things that stick out – that have been done before and catch a writer’s attention. I wonder sometimes if a lot of us, when starting out, haven’t put enough time and thought into making up our own worlds, so we jump off from someone else’s.

In writing books, they sometimes mention ‘red-flags’ that editors have just gotten sick of seeing. It isn’t to say those topics aren’t or haven’t been done well, only that they’ve been done so often (and so often badly) that you have to have a stellar manuscript to make it past the first page, or even the first paragraph. A good thing to remember is an editor only has so much time; they’ve been inundated with lame attempts at the same topics- sprinkled liberally, annoyingly with adverbs, containing cliches by the dozen, and descriptively painting details of a world for the first 21 pages. No wonder they have red-flag lists.

Here’s an example from the online science fiction magazine, Strange Horizons. My friends discussed it (writers discussing writing? oh my!) and it amused us. I like the organization of this list. I will admit to working on something similar to one of the items, but I’m hoping, of course, that it works! Always something to consider, especially when those rejections start pouring in…

Excerpt:

10. Someone calls technical support; wacky hijinx ensue.

  1. Someone calls technical support for a magical item.
  2. Someone calls technical support for a piece of advanced technology.
  3. The title of the story is 1-800-SOMETHING-CUTE.

19. Some characters are in favor of immersive VR, while others are opposed to it because it’s not natural; they spend most of the story’s length rehashing common arguments on both sides. (Full disclosure: one of our editors once wrote a story like this. It hasn’t found a publisher yet, for some reason.)

28. Strange and mysterious things keep happening. And keep happening. And keep happening. For over half the story. Relentlessly. Without even a hint of explanation.

  1. The protagonist is surrounded by people who know the explanation but refuse to give it.
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Writers on writing…

I should be writing.

That’s the name of the site and the podcast by Mur Lafferty. I listened to this podcast in the car yesterday, and I learned a bit about podcasting through the interview with Scott Sigler. The website has more information – a great resource for budding writers.

Scott Sidler was adamant with his last contract about wanting to give away his novel for free. But, wait, we’re authors for a living, don’t we need to make some money? He talks about the younger generation wanting things online, and he gets our feet wet with podcasting, for free, a chapter a week. His point is that although some will wait for the entire novel at that rate (3 or 4 months), others will go out and buy the book that is already available in the bookstores. He’s increased his audience that way.

Made me think about that novel I have coming out. With a Young Adult audience, it’s very likely that could spread the story to places I can’t travel to or otherwise might not reach.

It’s something I think I will look into and discuss with my publisher.

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Book Wrap-Up

Amazing. At some point you think you’re done, and you find the little things that are left. Almost done. I might even have my copy in a month or so. It doesn’t feel real.

I got the cover and I love it! It’s done well and very colorful. Sometime this week I’ll post it on site with a new page for the book. I know everyone’s been waiting patiently, but it’s finally here!

I must keep reminding myself this is really fast for a book. It’s only been a year coming.

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Demanding Attention

Not always, but often stories ideas originate from places writers can’t describe. We’re just walking along one day when it hits us, that something about that flowerbed looks fishy, and wondering why, and all of a sudden we’ve locked ourselves in our offices and you won’t see us again until we’re done.

Sometimes they sneak up slowly, weaving in and out of our thoughts. Others hit us over the head and don’t go away until we put them down on paper. (or type on screen, as we’re evolving to the computer age.)

Still, I often hear or see(in written form) people asking, “How do you get your ideas?”

Of famous authors, I think it’s because people want to know how to write the best-sellers. It isnt’ the idea, so much, as the delivery.

When people ask it of me, I figure it’s because I’m just a bit off-the-wall with my approach to things. I also guess they’re trying to understand my way of thinking.

It makes me laugh to think back to high school and remember when one of my classmates told me, “You just think wrong!” That might be one of my greatest strengths in my writing career. The wrongness isn’t the issue; it was a difference in the way I approached ideas. I enjoy writing to prompts to twist them to fit my purposes and come up with something completely off where others head with the same idea. I also like things to be unexpected – like in a short story I wrote where the Spider isn’t the monster but the protector.

Ideas are things of beauty, but even the best idea won’t be a best-seller if you can’t deliver it. I like to write the ideas down, put them in a slush pile, and look over them from time to time. Sometimes something sparks later, but often I don’t do much with them because of the new ones demanding my time and attention.

The best answer I can give is ideas come from living. The delivery takes work and often isn’t finished at the end of the first draft. Like everything worth doing, the passion the writer brings for the project is what tempers the idea into the product on bookstore shelves – and it is extremely rare that the author is the only pair of eyes to revise it.(Except, perhaps, for the self-publishing industry.)

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